There is no musicology without music. Alongside my academic work, I collaborate with musicians on artistic direction, booklet texts and translations, program notes, and pre-concert lectures.
Co-Artistic Director of Bach 6, Lillian Gordis (harpsichord), recorded in January 2024, in progress
Booklet Translator, Mathilde Mugot’s CD, Le Salon de la rue du Hasard – Mlle Certain, claveciniste du Grand Siècle (Seulétoile, 2024)
“Monumental Miniatures: Chamber Music in the Grand Siècle,” essay in Opera Lafayette’s program book, The Era of Madame de Maintenon, pp. 67-77, 2024
Pre-concert discussions for Opera Lafayette’s program of French Baroque cantatas with Christophe Rousset, Kennedy Center for the Performing Arts (DC) & the Kosciuszko Foundation (New York City), October 2023
Assistant Artistic Director of BACH, Lillian Gordis (harpsichord), Paraty Productions, March 2022.
Recipient of a Diapason d’or (September 2022)
“Le Ruckers du Musée d’art et d’histoire de Neuchâtel, chef-d’œuvre d’une communauté artisanale et musicale perdue,” Pre-concert lecture for Jérôme Hantaï and Lillian Gordis’s recital at the Musée d’art et d’histoire de Neuchâtel (CH), March 2020
Session and roundtable with Lillian Gordis and Skip Sempé, “‘Emotional Pedagogy’ in the 21st Century: Linking Sources and Performance in Early Music” at Researching Performance, Performing Research, hosted by the Conservatorium van Amsterdam, November 2017
Editor of liner notes and programs, as well as the compendium of essays and recordings, Memorandum XXI (Paradizo, 2013), by Skip Sempé for Capriccio Stravagante and Paradizo
Director of Classical Music Programming, WPRB 103.3 FM, Princeton, NJ, 2009-11